To celebrate Black History Month, we’ve compiled some fantastic links that you can use to learn about various aspects of Black British Theatre over the years. Take some time to look at these free resources and discover plays, actors, writers, directors and campaigners that you might never have heard of before.
As part of their Well Seasoned programme to celebrate Black Dancemakers, Sadler’s Wells have launched a new podcast hosted by arts and culture broadcaster Brenda Emmanus OBE. You’ll find her talking with a huge range of Black artists about their work in dance, art, film, fashion, music and theatre. Guests include pop star Emily Sande, award-winning opera soprano Nadine Benjamin and high-fashion designer Avis Charles.
Looking between 1976 and 2014, this exhibit tells the story of how Black writers and directors have used theatre to explore issues at the heart of society, establishing themselves as a vital part of the National Theatre’s repertoire.
The National Theatre’s Black Plays Archive project was initiated by the Kwame Kwei-Armah, who expressed a wish to explore and engage with African, Caribbean and black British writers produced in the UK, a number of which had been largely forgotten.
The aim of the project is to document the first professional production of every play by black British, African and Caribbean writers in the UK. Find a whole host of digital resources here.
Postwar migration to Britain from Africa and the Caribbean led to the development of black British theatre in the 1950s. In this article, Natasha Bonnelame introduces several of the most important black playwrights of the period, including Errol John and Wole Soyinka and describes the contexts in which their plays were staged.
On this BBC Sounds podcast, Lenny Henry presents a series of programmes tracing a century of black British theatre and screen. With episodes on Othello, Black theatre companies, anger and protest on stage and theatrical voices with their roots in Africa, this is a fascinating look at many different aspects of Black British creativity and expetrience.
Stephen Bourne’s article for The Stage looks at how and why we don’t know enough about Black creatives in British Theatre, after his NT talk ‘Palimpsest Symposium: A Celebration of Black Women in Theatre’ a few years ago.
Dr. Michael Pearce’s essay looks at the American Black Power Movement’s impact on British theatre, and the ways that African American culture has been adopted and embraced by Black Britons over the late twentieth century.
This Guardian article looks at Black British Theatre over the 2010s, interviewing eight influential creatives – actor and writer Emma Dennis-Edwards; actor Kobna Holdbrook-Smith; stage manager Sylvia Darkwa-Ohemeng; producer and founder of Black Ticket Project, Tobi Kyeremateng; writer Winsome Pinnock; artistic director of the Unicorn theatre, Justin Audibert; writer Jasmine Lee-Jones and actor and former artistic director of Tiata Fahodzi, Lucian Msamati