facebook play-alt chevron-thin-right chevron-thin-left cancel location info chevron-thin-down star-full help-with-circle calendar images whatsapp directions_car directions_bike train directions_walk directions_bus close home newspaper-o perm_device_information restaurant school stay_current_landscape ticket train
Denise Gough at the Critics’ Circle Awards

Denise Gough at the Critics' Circle Awards

Video: Critics’ Circle Award winners

First Published 27 January 2016, Last Updated 2 February 2016

It’s rare that awards lists receive universal agreement. There’s usually a raised eyebrow or two about a performance or production that sticks out like a saw thumb with a glow stick attached.

But this year’s Critics’ Circle Theatre Awards seem to have bucked that trend as every winner has been received with a nod of agreement or a whoop of excitement. From a four hour modern reimagining of a Greek tragedy and the story of an executioner to a tale of aging and an exploration of trying simply to survive in the modern world, the productions that have received the most acclaim in the past year all seemed to be recognised in one way or another.

The eclectic nature of the shows was beautifully reflected in the chat from their on and off stage stars, as you can see in the videos below:

Best Actress, Denise Gough (People, Places And Things) talked to us about winning, the realisation that her character existed in her own right rather than as a cipher, and pushing for equality in theatre, television and film.

GET THE FULL EXPERIENCE:

To see this content you’ll need to allow us to set some additional cookies!

Best Actor Kenneth Cranham (The Father) spoke about the universality of Florian Zeller’s play about an aging parent and the joy of taking his father on holiday in his elder years.

GET THE FULL EXPERIENCE:

To see this content you’ll need to allow us to set some additional cookies!

Best Director, Robert Icke (Oresteia) chatted about the surprising success of a play that should have been a tough sell and taking creative risks.

GET THE FULL EXPERIENCE:

To see this content you’ll need to allow us to set some additional cookies!

Howard Goodall, composer of Best Musical winner Bend It Like Beckham The Musical, on the importance of critics and his immersing himself in another culture to create a show.

GET THE FULL EXPERIENCE:

To see this content you’ll need to allow us to set some additional cookies!

Share

Sign up

Related articles

//