facebook play-alt chevron-thin-right chevron-thin-left cancel location info chevron-thin-down star-full help-with-circle calendar images mail whatsapp directions_car directions_bike train directions_walk directions_bus close spinner11

Q&A: Freddie Fox

First Published 17 January 2013, Last Updated 21 January 2013

He may be in his early 20s, but Freddie Fox – son of Edward, brother of Emilia – has already starred in some of the most acclaimed TV dramas of recent years – The Shadow Line, Any Human Heart, Parade’s End – worked with directors including Richard Eyre, Howard Davies and Thea Sharrock, and is fast becoming a style icon.

Last year he hit theatrical gold once more, playing Bosie opposite long time family friend Rupert Everett as Oscar Wilde in Hampstead theatre’s production of David Hare’s The Judas Kiss. The play, which focuses on two moments in the famous writer’s life, proved so popular that it has just transferred to the West End’s Duke of York’s theatre.

With previews well under way, we quizzed Fox and discovered a fishy memory, a classic English palate and a love for a hit 80s movie.

How have you found working with Rupert Everett?

A tremendous experience. To be playing opposite him in a role that I think will be remembered as one of his very finest performances is an honour in itself, but equally it wouldn’t be all it is if we didn’t have so much fun doing it. He’s a source of great laughter and he leads the company in a spirit of which I think Oscar would be proud.

How are you feeling about bringing a show to the West End that has already been fantastically well received?

Two sides of that coin. No pressure of expectancy vs loads of pressure to make it better. I would flatter myself and Rupert to say that we have high standards and high hopes for this production and we want to make sure that it comes across well in a new venue.

 Do you have a favourite Wildean witticism?

 Not one in particular. He’s an aphoristic bible so there are many to choose from.

What is the finest performance you have seen?

 Rupert’s in this show comes pretty close. But I have been lucky enough to see Mark Rylance’s performance in Jerusalem, and Brian Dennehy’s in Death Of A Salesman many years ago and both of them stick in my mind as being particularly brilliant.

If you could create a fantasy production to star in, who would you cast, who would direct and what would it be?

Mark Rylance and myself in a two-handed one act show about incompetent gangsters planning a heist, written for the stage and directed by Quentin Tarantino making his theatrical debut. That’d be pretty sweet!

What do you consider your big break

I don’t know if I’ve had one yet. But if you’d make me choose, then probably Marilyn in Worried About The Boy on television and probably this production on stage.

Who or what has inspired you?

My father always. He’s a constant source of inspiration. Also, I would have to say my mother. She’s a wonderful woman.

What do you look for when taking a role?

A good script and a part where I can show off.

Do you have a pre-show routine or any rituals?

 It varies from show to show, but always a vocal warm-up, and for this show I usually read one of Bosie’s poems before I leave the dressing room.

Where do you head after a performance?

Home, or the train station to travel down to the country, or a nearby bar if I need a bloody good drink.

What do you do when you’re not performing or rehearsing?

Annoy my agent in his office by talking incessantly about clothes until he picks up the phone and gets me a job.

What is your fondest childhood memory?

Catching my first fish when I was five or six.

What will always, without fail, bring a smile to your face?

Basil Fawlty in a bait.

What book, film or album would you recommend to a friend?

Beverly Hills Cop I, The Black Tulip by Alexandre Dumas, and Paper Airplane by Alison Krauss and Union Station.

What could you not be without?

Something to do.

Do you have any regrets?

I’m not old enough.

What would you choose as a last meal?

Mum’s roast chicken with all the trimmings and then apple crumble with vanilla ice-cream.

What ambitions would you like to fulfil?

I would like to have a movie I’ve written and directed released.

Do you have any advice for aspiring actors?

Be naughty. If you can’t be naughty, look as if you could be.

If you weren’t an actor, what would you be?

Washed up.

Share

Sign up

Related articles

If you click through to seat selection (where you'll see either best available or a seating plan), you will be seeing the most up-to-date prices. If this differs from what we've written on the calendar, please bear with us, as those prices will update soon.

We now sell our famous TKTS Booth discounts online here at Official London Theatre.

We are now cancelling all performances up until and including 31 May 2020 to help us process existing bookings whilst we wait for further clarity from the government in terms of when we will be able to reopen.

We are so sorry that in these testing and difficult times you are not able to enjoy the show you have booked for and hope the following helps clarify next steps in respect of your tickets .

There is nothing that you need to do if your performance has been cancelled, but we do ask for your patience.

If you have booked directly with the theatre or show website for an affected performance, please be assured that they will contact you directly to arrange an exchange for a later date, a credit note/voucher or a refund. If you have booked via a ticket agent they will also be in contact with you directly.

We are processing in strict date order of performance, so you are likely to be contacted after the date you were due to go to the theatre. However, we want to reassure you that you will be contacted, and your order will be processed, but please do bear with us.

We’d like to thank everyone who has been patient and kind in dealing with their ticket providers so far and we are sorry that we cannot process your order as quickly as we would like.

Please do not contact your credit card company as that will slow the process down and put an additional burden on our box office and ticket agent teams.

In order for us to serve our audiences the best we can, please do not get in touch with your point of sale if you have booked for performances after 31 May. Please be reassured that if we have to cancel future performances you will be directly contacted by your theatre or ticket provider. Our producers continue to plan for all eventualities dependent on the individual needs of their shows and we will provide further updates on specific shows as and when they become available.

We look forward to welcoming you back into our theatres as soon as we are allowed to resume performances. In the meantime stay safe and healthy.

While theatres are currently closed, various venues and productions are making announcements for their individual shows, including cancellations and rescheduled performances. Please check with the individual shows for details.